About Capsule

We built Capsule because the best night any of us had last year exists as nine photos on one person’s phone.


Why we built it

Everyone at that party had a camera in their pocket. Everyone took pictures. And then the pictures went into forty separate camera rolls and stayed there, because sending forty photos to a group chat is a chore and nobody does chores on a Sunday.

The other half of the problem is subtler. Once a photo can be seen immediately, it stops being a record and starts being a performance. People check the shot. People retake it. Someone is always slightly outside the evening, curating it.

A disposable camera solved both of these accidentally. You could not see what you got, so you stopped worrying about it. You handed the camera to someone else. And two weeks later an envelope arrived with the whole night in it, blurry and badly lit and perfect.

Capsule is that, without the trip to the chemist. Everyone shoots into one film.

Nobody sees anything.Then it all comes back at once.

That is the reason. The mechanics — sealing, shot counts, the hour it develops — are on how a film works.

Capsule, so far

2024
Started, after a wedding
11
People, in London and Lisbon
61k
Films developed so far — and still counting
4.2m
Photographs handed back

What we believe

Four things we will not trade.

  1. The waiting is the product

    Every decision that makes a film reveal sooner makes Capsule worse. We will not add a live feed. We have been asked.

    the answer is still no

    Exposed 35mm film canisters in a bowl on a kitchen table beside a cold mug, soft morning light
    undeveloped
  2. Guests never sign up

    The moment a guest has to make an account, half of them stop. A link and a camera, or it does not ship.

    granny needed no help

  3. Your photographs are yours

    Full resolution back, no training, no licensing, no scanning. We hold them and we hand them over.

    A crowd of mismatched glasses being filled at the end of the wedding table at night, hands reaching in to take them
    A thick stack of freshly printed party photographs on a kitchen table beside a mug and reading glasses back from the lab
    Two prints off the same film, a fortnight after the night.
  4. One payment, one night

    You should not be subscribed to a wedding. Buy a film for the thing that is happening.

Guests throwing confetti over a bride and groom as they come out of the stone doorway of a country house in low afternoon sun
A long trestle table down a walled garden at dusk under festoon bulbs, the groom standing halfway along to pour somebody a glass
The best man on his feet mid-speech at the table, one hand out, the guests either side of him laughing uncle rob, third toast

Write to a person

We answer our own email.

All eleven of us. A film that did not develop, a venue with four hundred guests, a photograph you want pulled — it lands in the same room, and a person writes back.

usually the same day